Filosofinė kino filmų prigimtis. Andrejaus Tarkovskio kinematografija
The readers of this book will be briefly introduced to the philosophical paradigms of the contents of the film medium and their change from classical to modern cinema. Based on the film concepts of G. Deleuze, the book’s author analyzes the works of famous film director Andrei Tarkovsky. This book, focused on the significant cinematography of signs, attempts to provide an in-depth and fundamental knowledge of the mysteries of auteur cinema.